{"id":51586,"date":"2016-05-08T09:57:27","date_gmt":"2016-05-08T06:57:27","guid":{"rendered":"http:\/\/thefreedomtheatre.org\/?p=51586"},"modified":"2016-05-08T09:57:27","modified_gmt":"2016-05-08T06:57:27","slug":"the-heart-of-teaching-stephen-wangh-at-the-freedom-theatre","status":"publish","type":"post","link":"https:\/\/thefreedomtheatre.org\/ar\/2016\/05\/the-heart-of-teaching-stephen-wangh-at-the-freedom-theatre\/","title":{"rendered":"The heart of teaching &#8211; Stephen Wangh at The Freedom Theatre"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Stephen Wangh, renowned playwright, director, author and teacher of acting, is currently doing a workshop at The Freedom Theatre School. Wangh was trained in 1967 by Jerzy Grotowski and is the author of <em>An Acrobat of the Heart, a physical approach to acting inspired by the work of Jerzy Grotowski<\/em> (2000) and\u00a0<em>The Heart of Teaching: Empowering Students in the Performing Arts<\/em> (2012).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Wangh&#8217;s work\u00a0with the Theatre School\u00a0students started with exploring the connection between the body, images and emotions.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">\u201cAlthough the work seems to be very physical in the beginning, the physical work is a doorway into the actor\u2019s emotional life. It is a way of encountering one\u2019s hesitations and blockages and noticing that beneath and beyond those, is great emotional freedom\u201d, says Wangh. \u201cWe all knew that as children but as adults we have put it away. Grotowski called it the \u2018Via Negativa\u2019; undoing rather than doing.\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">The acting students have examined\u00a0how to connect not only with themselves but also how to play with \u2018the other\u2019 \u2013 an acting partner, an image, or the audience.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Stephen Wangh\u2019s voice training with the students began with laughter. \u201cLaughter is not doing, it has to happen to you. Things happening to you are what we are looking for \u2013 whether in body, movement, image or sound\u201d, says Wangh.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">The students have also worked on\u00a0monologues\u00a0and now they will move into improvisation.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Of the teaching experience at The Freedom Theatre, Wangh says: \u201cThese students have an incredible level of energy and are very open to each of the steps that we take. They have all taken wonderful risks. Almost everyone began to do things that at first felt frightening or new.\u201c<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">This is Stephen Wangh\u2019s first time in Palestine. \u201cI\u2019ve been waiting to come here for many years. Being here is very moving and I can see how people feel the suffering of living here. The process of teaching has been very exciting for me. I have been teaching for 40 years, and without exaggeration I can say that this is the first time in 15 years that I&#8217;ve needed to invent new exercises because these people inspired me to. If I never teach again in my life I would feel that this was a good ending. I did something useful.\u201d<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Stephen Wangh, renowned playwright, director, author and teacher of acting, is currently doing a workshop at The Freedom Theatre School. Wangh was trained in 1967 by Jerzy Grotowski and is the author of An Acrobat of the Heart, a physical approach to acting inspired by the work of Jerzy Grotowski (2000) and\u00a0The Heart of Teaching: [&hellip;]<\/p>","protected":false},"author":1,"featured_media":51603,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"give_campaign_id":0,"footnotes":""},"categories":[11,13],"tags":[],"class_list":["post-51586","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-theatre-news"],"_links":{"self":[{"href":"https:\/\/thefreedomtheatre.org\/ar\/wp-json\/wp\/v2\/posts\/51586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thefreedomtheatre.org\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thefreedomtheatre.org\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thefreedomtheatre.org\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thefreedomtheatre.org\/ar\/wp-json\/wp\/v2\/comments?post=51586"}],"version-history":[{"count":0,"href":"https:\/\/thefreedomtheatre.org\/ar\/wp-json\/wp\/v2\/posts\/51586\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thefreedomtheatre.org\/ar\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/thefreedomtheatre.org\/ar\/wp-json\/wp\/v2\/media?parent=51586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thefreedomtheatre.org\/ar\/wp-json\/wp\/v2\/categories?post=51586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thefreedomtheatre.org\/ar\/wp-json\/wp\/v2\/tags?post=51586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}