The Freedom Theatre joins our partners in the Palestinian arts community and PACBI in supporting the creators of the brilliant Norwegian \u201cNational Apology\u201d artistic video.<\/p>\n
3 October 2016<\/p>\n
Norway\u2019s Brilliant \u201cNational Apology\u201d: Art foretelling Reality?<\/strong><\/p>\n Open Letter to Pia Maria Roll and Marius von der Fehr from the Palestinian Arts Community<\/strong><\/p>\n To the creators of the Norwegian \u201cNational Apology<\/a>\u201d Artistic Video,<\/p>\n We, the undersigned Palestinian performing arts organizations and cultural centers, salute your creative solidarity gesture<\/a> with the struggle for Palestinian rights under international law.<\/p>\n Your video art work, which imagines the National Theater of Norway apologizing for its collaboration with Israel\u2019s national theater, Habima, exposes Habima\u2019s reality as an institution that is deeply involved in whitewashing and justifying the crimes of Israel\u2019s regime<\/a> against the Palestinian people.<\/p>\n You have also brilliantly highlighted the ethical obligation of cultural institutions and cultural workers worldwide to end their complicity in Israel\u2019s occupation and apartheid, as was done against the apartheid regime in South Africa.<\/p>\n Connecting struggles against human rights violations abroad with domestic struggles for real democracy, social and economic justice, as well as the fight against racism and discrimination, your video underlines the crucial need for intersectional struggles against all forms of oppression.<\/p>\n Heeding and promoting the 2005 call of Palestinian civil society to impose Boycott, Divestment and Sanctions (BDS<\/a>) measures against Israel until it complies with its obligations under international law, you have taken on a \u201cgigantic load of personal risk,\u201d given the well-oiled war of repression and McCarthyism that \u00a0Israel and its lobby groups are waging against the BDS movement and indeed all solidarity with the Palestinian struggle for freedom, justice and equality.<\/p>\n In its association with the government, Habima serves to re-brand Israel\u2019s image as a vibrant culture, covering up its grave human rights violations committed against Palestinians. Furthermore, Habima is directly involved in Israeli violations of international law by performing in colonial settlements that are deemed illegal under the Fourth Geneva Convention.<\/p>\n While arts organizations in Norway, across Europe, in North America and beyond continue to collaborate with Habima and other Israeli cultural institutions that are part and parcel of Israel\u2019s denial of our rights under international law, Israel cynically uses this business as usual to whitewash its intensifying crimes.<\/p>\n In the occupied Gaza Strip, 1.8 million Palestinians are strangled by Israel\u2019s deadly siege, denied adequate electricity, clean water, and the ability to go fishing — and subject to recurrent Israeli massacres that have left thousands of civilians dead, including hundreds of children. The prominent Norwegian doctor Mads Gilbert has witnessed such assaults on Gaza during Operation Protective Edge and described it as a \u201ctotally shocking experience of the mercilessness of the Israeli war machine.\u201d<\/a><\/p>\n Thousands more Palestinians are held without charge and tortured in Israeli prisons, including children who are systematically subjected to torture and humiliating treatment, strip searched, and violently snatched from their homes and families in the middle of the night.<\/p>\n In occupied Jerusalem, in the Jordan Valley and in the Naqab (Negev), Israel\u2019s ethnic cleansing of entire Palestinian communities is proceeding at a fatal rate, making thousands of Palestinians homeless in their homeland.<\/p>\n Israel\u2019s crimes against the Palestinians have not spared artists, who are often denied their right to free movement and even their right to free expression. Last December, a Palestinian clown named Mohammed Abu Sakha — who has devoted years to entertaining children, especially those with disabilities — was arrested on his way to work at the Palestinian Circus School. Despite calls from Amnesty International<\/a>, the 23-year-old clown is still being held without charge or trial, like thousands of other Palestinians.<\/p>\n